Catch Me If You Can
May 12 - 27 2023
Richard Perdriau Director
Tony Toppi Musical Director
Felicity Bender Choreographer
May 12 - 27 2023
Richard Perdriau Director
Tony Toppi Musical Director
Felicity Bender Choreographer
Auditions
AUDITION DATES:
Vocal: Saturday November 12 /Sunday November 13
Dance/Movement: Monday November 14 (evening)
Call Backs: Wednesday November 16 (evening)
PHONE: 1300 362 547 for audition queries only
Under the category of “this would be unbelievable if it were not true”, comes the adventure romp Catch Me If You Can.
Based on the 2002 hit film of the same name starring Leonardo Di Caprio and Tom Hanks, Catch Me If You Can. captures the astonishing true story of Frank Abignale Jr, a world-class con artist who passed himself off as a multitude of identities, including a doctor, a lawyer, and a jet pilot - all before the age of 21. When Frank’s antics catch the attention of FBI agent Carl Hanratty, the story becomes a study of two sparring partners hot footing it across the globe yet connected by a secret mutual admiration that was to last a lifetime.
Nominated for four Tonys, including Best Musical, this fast-paced, entertaining show was created by a Tony Award-winning "dream team," with a book by Terrence McNally (The Full Monty, Ragtime) and a 60s swinging, big band score by Marc Shaiman and Scott Wittman (Hairspray, Smash).
We are looking for a talented cast of 23 who can act, sing, dance and ultimately have a ball at sharing this riveting story through a host of hilarious scenes and show stopping numbers.
CLOC Musical Theatre promotes an inclusive environment and welcomes all ethnicities, sizes, age ranges and genders to audition for its productions.
Please ensure you have read the Covid Safe Guidelines for Auditions below
PLEASE ONLY COMPLETE THE FORM FROM A COMPUTER OR LAPTOP, NOT FROM A SMARTPHONE OR IPAD.
AUDITION DATES
Vocal: Saturday November 12 /Sunday November 13
Dance/Movement: Monday November 14 (evening)
Call Backs: Wednesday November 16 (evening)
AUDITION DETAILS
Booking Your Audition
For the audition itself:
After the initial audition:
Other important info:
KEY DATES (2023 - unless otherwise stated)
Costume Measure: Saturday November 19, 2022, 3pm – 4pm (if not done prior)
First Rehearsal: Sunday February 5 @ 1pm (full company)
Costume Try On: Sunday February 26, 9.30am-12.30pm (before rehearsal)
Saturday April 15, 10.00am-5.00pm
Photo Shoot: Sunday March 19, 9.30am-1.00pm
Rehearsal Weekends: Saturday February 25 and Sunday February 26 (all day)
Saturday March 18 and Sunday March 19 (all day)
Saturday April 22 and Sunday April 23 (all day)
Saturday April 29 and Sunday April 30 (all day)
Costume Call: Monday May 1, 7.30pm
Sitzprobe with orchestra: Thursday May 4, 7.30pm - 10.30pm
Bump-In: Sunday May 7 (all day)
Bump-Out: Saturday May 27 (immediately after the 2pm final performance)
PERFORMANCE DATES
National Theatre, cnr Barkly and Carlisle Sts, St Kilda
Vocal: Saturday November 12 /Sunday November 13
Dance/Movement: Monday November 14 (evening)
Call Backs: Wednesday November 16 (evening)
AUDITION DETAILS
- All participants in Catch Me If You Can require a current working with children check.
- All auditionees will need to be fully vaccinated (ie two doses) or show evidence of a valid medical exemption on arrival.
- If you are already cast in a production with another company during the same time period, out of respect for other companies, we will not be able to give you an audition time.
- Minimum age for auditionees: Adults: 18 plus at the time of first rehearsal (Sunday February 5 2023).
Booking Your Audition
- You are required to complete an online audition form (available on this page from Monday Oct 31) in order to secure your audition spot. The Audition Co-ordinator will then contact you to book an audition time.
- For audition queries please call 1300 362 547 from Monday October 31 or email auditions@cloc.org.au.
- Please be prepared with a photo of yourself to upload as well as your performance resume and your availabilities.
For the audition itself:
- Arrive early enough to complete paperwork and talk through your song with the pianist.
- Prepare one song in the style of the show but not from the show. Bring sheet music in a folder in the key in which you wish to sing (no taped music or requests to transpose).
- You do not need to prepare any dialogue – you may be asked to read an extract of dialogue from the show.
- A photo of you will be taken at the audition for reference purposes only.
After the initial audition:
- Be available for the Dance/Movement Audition on Monday November 14 (evening). You will be notified on the evening of Sunday November 13 by SMS if you are required to attend the Dance/Movement Audition and at what time. At the Dance/Movement Audition, please wear dancewear and bring character/jazz shoes and be warmed up ready to go.
- Be available for Call Backs on Wednesday November 16 (evening). You will be advised on Monday night (after the Dance/Movement Audition) by SMS if you are required for Call Backs and at what time. You will be emailed music/dialogue to learn and will be expected to present at performance standard at the Call Backs. Photos and measurements for costumes will also be taken at the Call Backs.
- Final casting will take place on Wednesday night after the Call Backs. Everyone who auditions will receive either a phone call or an SMS on Thursday November 17.
Other important info:
- Please note that casting is not absolutely final until after the Call Backs.
- Auditions may be videoed for reference but after auditions these will be deleted once casting has been completed.
- Rehearsals are on Sunday afternoon (1pm-5pm), Monday and Wednesday evenings (7.30pm‐10.30pm). There will also be four rehearsal weekends during which you may be required for a full Saturday and Sunday rehearsal.
KEY DATES (2023 - unless otherwise stated)
Costume Measure: Saturday November 19, 2022, 3pm – 4pm (if not done prior)
First Rehearsal: Sunday February 5 @ 1pm (full company)
Costume Try On: Sunday February 26, 9.30am-12.30pm (before rehearsal)
Saturday April 15, 10.00am-5.00pm
Photo Shoot: Sunday March 19, 9.30am-1.00pm
Rehearsal Weekends: Saturday February 25 and Sunday February 26 (all day)
Saturday March 18 and Sunday March 19 (all day)
Saturday April 22 and Sunday April 23 (all day)
Saturday April 29 and Sunday April 30 (all day)
Costume Call: Monday May 1, 7.30pm
Sitzprobe with orchestra: Thursday May 4, 7.30pm - 10.30pm
Bump-In: Sunday May 7 (all day)
Bump-Out: Saturday May 27 (immediately after the 2pm final performance)
PERFORMANCE DATES
National Theatre, cnr Barkly and Carlisle Sts, St Kilda
Sun May 7 |
Bump In |
. |
Wed May 17 |
Show 8pm |
Mon May 8 |
Tech run/cast/crew/piano |
. |
Thurs May 18 |
Show 8pm |
Tues May 9 |
Full Dress/Orchestra |
. |
Fri May 19 |
Show 8pm |
Wed May 10 |
Full Dress/Orchestra |
. |
Sat May 20 |
Show 8pm |
Thurs May 11 |
Full Dress/Orchestra |
. |
Sun May 21 |
2pm (Matinee) |
Fri May 12 |
Show 8pm (Opening) |
. |
Wed May 24 |
Show 8pm |
Sat May 13 |
Show 8pm |
. |
Thurs May 25 |
Show 8pm |
Sun May 14 |
Show 2pm (Matinee) |
. |
Fri May 26 |
Show 8pm |
Standby Dates: |
May 15/16 and 22/23. |
. |
Sat May 27 |
Show 2pm (then Bump Out) |
CLOC has learnt that the best way to deal with a COVID outbreak is to be prepared and to be flexible. Part of the success of a production in COVID times is cast willingness to step into alternate roles/supporting roles should we need to replace absent performers and to be ready to re-block parts of the show at short notice. While we would hope all cast will be open to these further measures given the impact of COVID in live theatre, we want to be sure that there is an understanding of this expectation prior to you auditioning. If cast, you may be asked to understudy a role knowing that you may not get to perform it unless there is a COVID situation.
CHARACTER BREAKDOWN
Frank Abagnale, Jr.
Charismatic, handsome and youthful con artist. Frank has a naivety due to his age and inexperience but is extremely smart and learns and adapts quickly to keep one step ahead of the law. He eventually falls in love with Brenda and desperately tries to change his ways. Must be a great storyteller, have excellent comic timing, and be a strong actor, singer and mover.
Playing Age: 20
Tenor G2-C5
Carl Hanratty
A dedicated FBI agent leading the investigation and search for Frank Jr. Quirky, knowledgeable and habitual workaholic who does everything by the book and lives for the moment when he catches his prey. Must have excellent comic timing and be a strong actor, singer and mover.
Playing age: 30s-40s
Tenor/high baritone: G2-G4
Frank Abagnale, Sr.
Frank Jr.'s father. He is an inspiration to his son when it comes to swindling. Upbeat and fast-talking, he experiences a series of failures that leaves him a delusional drunk. Strong actor and singer who can move well.
Playing age: 40s-50s
Baritone: F2-G#4
Paula Abagnale
Frank Jr.'s alluring mother. She met Frank Sr. in France, during the war, but has fallen out of love.
Elegant and sophisticated, she has an underlying resentment toward her husband and son. French accent.
Age: 40s
Alto: A3-C5
Brenda Strong
A young nurse and Frank Jr.'s eventual love interest. Hard-working, naïve and initially insecure, she meets Frank Jr. after running away from a wedding. Comes to trust him but his true identity clouds her feelings.
Playing Age: 20
Mezzo Soprano: G3-A5
Carol Strong
Brenda's traditional mother. New Orlean’s Southern American accent. She is talkative, boisterous and very funny. Must have great comic timing. Will also be part of the ensemble in Act 1.
Age: 40s-50s
Mezzo Soprano: Bb3- A5
Roger Strong
Brenda's conservative father. New Orlean’s Southern American accent. He is stern and interrogatory but reveals himself to be deeply romantic. Must have great comic timing. Will also be part of the ensemble in Act 1.
Age: 40s-50s
Baritone: A2-A4
FBI agents: Cod, Branton & Dollar
Cod (jaded), Branton (smart-ass), Dollar (rookie) are three FBI agents all working in the fraud division under Hanratty. Any playing age. No solo singing. Strong movers. Will also be part of the ensemble.
Cheryl Ann
Model turned escort, upset that Frank tricks her, Speaking role only. Will also be part of the ensemble.
Ensemble
A great show for the ensemble, there are loads of cameos, solo and harmony singing, and big dance numbers. Characters include: commuters, stewardesses, pilots, FBI agents, party-goers, doctors, nurses, interns. TV variety show dancers and more.
CHARACTER BREAKDOWN
Frank Abagnale, Jr.
Charismatic, handsome and youthful con artist. Frank has a naivety due to his age and inexperience but is extremely smart and learns and adapts quickly to keep one step ahead of the law. He eventually falls in love with Brenda and desperately tries to change his ways. Must be a great storyteller, have excellent comic timing, and be a strong actor, singer and mover.
Playing Age: 20
Tenor G2-C5
Carl Hanratty
A dedicated FBI agent leading the investigation and search for Frank Jr. Quirky, knowledgeable and habitual workaholic who does everything by the book and lives for the moment when he catches his prey. Must have excellent comic timing and be a strong actor, singer and mover.
Playing age: 30s-40s
Tenor/high baritone: G2-G4
Frank Abagnale, Sr.
Frank Jr.'s father. He is an inspiration to his son when it comes to swindling. Upbeat and fast-talking, he experiences a series of failures that leaves him a delusional drunk. Strong actor and singer who can move well.
Playing age: 40s-50s
Baritone: F2-G#4
Paula Abagnale
Frank Jr.'s alluring mother. She met Frank Sr. in France, during the war, but has fallen out of love.
Elegant and sophisticated, she has an underlying resentment toward her husband and son. French accent.
Age: 40s
Alto: A3-C5
Brenda Strong
A young nurse and Frank Jr.'s eventual love interest. Hard-working, naïve and initially insecure, she meets Frank Jr. after running away from a wedding. Comes to trust him but his true identity clouds her feelings.
Playing Age: 20
Mezzo Soprano: G3-A5
Carol Strong
Brenda's traditional mother. New Orlean’s Southern American accent. She is talkative, boisterous and very funny. Must have great comic timing. Will also be part of the ensemble in Act 1.
Age: 40s-50s
Mezzo Soprano: Bb3- A5
Roger Strong
Brenda's conservative father. New Orlean’s Southern American accent. He is stern and interrogatory but reveals himself to be deeply romantic. Must have great comic timing. Will also be part of the ensemble in Act 1.
Age: 40s-50s
Baritone: A2-A4
FBI agents: Cod, Branton & Dollar
Cod (jaded), Branton (smart-ass), Dollar (rookie) are three FBI agents all working in the fraud division under Hanratty. Any playing age. No solo singing. Strong movers. Will also be part of the ensemble.
Cheryl Ann
Model turned escort, upset that Frank tricks her, Speaking role only. Will also be part of the ensemble.
Ensemble
A great show for the ensemble, there are loads of cameos, solo and harmony singing, and big dance numbers. Characters include: commuters, stewardesses, pilots, FBI agents, party-goers, doctors, nurses, interns. TV variety show dancers and more.
CLOC Musical Theatre promotes an inclusive environment and welcomes all ethnicities, sizes, age ranges and genders to audition for its productions.
AUDITION VENUE: CLOC Rehearsal Venue
32 Dane Road, Moorabbin VIC
Google Maps Link – https://goo.gl/maps/oj8gieo1n7QnARs18
32 Dane Road, Moorabbin VIC
Google Maps Link – https://goo.gl/maps/oj8gieo1n7QnARs18
COVID SAFE Guidelines for Auditions:
CLOC has learnt that the best way to deal with a COVID outbreak is to be prepared and to be flexible. Part of the success of a production in COVID times is cast willingness to step into alternate roles/supporting roles should we need to replace absent performers and to be ready to re-block parts of the show at short notice. While we would hope all cast will be open to these further measures given the impact of COVID in live theatre, we want to be sure that there is an understanding of this expectation prior to you auditioning. If cast, you may be asked to understudy a role knowing that you may not get to perform it unless there is a COVID situation.
You may also be asked to comply with other COVID measures during rehearsals and the performance season, which may include mask wearing and RAT testing (and reporting).
Symptoms - if on the day of your audition, you feel unwell or have any COVID symptoms (chills, sore throat, runny nose, cough, shortness of breath or loss of sense of smell, gastro like symptoms-vomiting, diarrhoea, loss of appetite) – take a Rapid Antigen Test then inform the Audition Co-ordinator, Karen Greenwood whether the results are positive or negative. If you do not, you may be excluded if you arrive at auditions with symptoms. For the safety of others, we reserve the right to refuse to allow persons with possible COVID symptoms to audition.
Exposure – If you are a close contact of someone with COVID (you have spent four hours with a person who has been diagnosed with COVID in the last seven days or you have had contact with someone who has COVID that you believe may result in you contracting COVID) please inform the Audition Co-ordinator Karen Greenwood before attending the audition and you will be given further instructions.
Vaccination Status – you will need to show evidence that you are fully vaccinated (2 doses) or have a valid medical exemption.
Face Masks - You must bring a face mask to your audition and wear it if requested. Wearing a face mask will be required in the Reception Room.
Sanitise – you should sanitise your hands, freely and often. Sanitiser will be available in the Reception Room
Social Distancing – maintain social distancing as much as possible and avoid communal sharing. Bring your own water bottle.
Density Limits - If there is overcrowding in the Reception Room, you may be asked to wait outside or in the car. Please do not bring an accompanying person into the Reception Room. When waiting for your audition in the Reception Room, please make every effort to be socially distanced.
Toilets – please access the toilets only when permitted by the Audition Staff. Wash hands thoroughly and use paper towel provided.
Ventilation - Please make sure you have warm outer wear as there may be increased ventilation in the venue.
Personal Belongings - Please take all your personal belongings into the audition room with you. After your audition, please leave the building promptly via the double doors on your left.
CLOC has learnt that the best way to deal with a COVID outbreak is to be prepared and to be flexible. Part of the success of a production in COVID times is cast willingness to step into alternate roles/supporting roles should we need to replace absent performers and to be ready to re-block parts of the show at short notice. While we would hope all cast will be open to these further measures given the impact of COVID in live theatre, we want to be sure that there is an understanding of this expectation prior to you auditioning. If cast, you may be asked to understudy a role knowing that you may not get to perform it unless there is a COVID situation.
You may also be asked to comply with other COVID measures during rehearsals and the performance season, which may include mask wearing and RAT testing (and reporting).
Symptoms - if on the day of your audition, you feel unwell or have any COVID symptoms (chills, sore throat, runny nose, cough, shortness of breath or loss of sense of smell, gastro like symptoms-vomiting, diarrhoea, loss of appetite) – take a Rapid Antigen Test then inform the Audition Co-ordinator, Karen Greenwood whether the results are positive or negative. If you do not, you may be excluded if you arrive at auditions with symptoms. For the safety of others, we reserve the right to refuse to allow persons with possible COVID symptoms to audition.
Exposure – If you are a close contact of someone with COVID (you have spent four hours with a person who has been diagnosed with COVID in the last seven days or you have had contact with someone who has COVID that you believe may result in you contracting COVID) please inform the Audition Co-ordinator Karen Greenwood before attending the audition and you will be given further instructions.
Vaccination Status – you will need to show evidence that you are fully vaccinated (2 doses) or have a valid medical exemption.
Face Masks - You must bring a face mask to your audition and wear it if requested. Wearing a face mask will be required in the Reception Room.
Sanitise – you should sanitise your hands, freely and often. Sanitiser will be available in the Reception Room
Social Distancing – maintain social distancing as much as possible and avoid communal sharing. Bring your own water bottle.
Density Limits - If there is overcrowding in the Reception Room, you may be asked to wait outside or in the car. Please do not bring an accompanying person into the Reception Room. When waiting for your audition in the Reception Room, please make every effort to be socially distanced.
Toilets – please access the toilets only when permitted by the Audition Staff. Wash hands thoroughly and use paper towel provided.
Ventilation - Please make sure you have warm outer wear as there may be increased ventilation in the venue.
Personal Belongings - Please take all your personal belongings into the audition room with you. After your audition, please leave the building promptly via the double doors on your left.
CLOC Musical Theatre presents
CATCH ME IF YOU CAN
May 12 - 27, 2023
Book by TERRENCE MCNALLY
Music by MARC SHAIMAN
Lyrics by SCOTT WITTMAN & MARC SHAIMAN
Licensed exclusively by Music Theatre International (Australasia).
